Overview
The Master of Music (M.M.) in Music Theory Pedagogy at Johns Hopkins University’s Peabody Conservatory is designed to equip graduates with the necessary skills to effectively teach music theory. This program emphasizes rigorous analysis, ear-training, and practical pedagogy, fostering a comprehensive understanding of music theory in educational contexts.
What you'll study
Throughout the program, students engage in a variety of learning components, including:
- Advanced music theory and analysis: In-depth exploration of form, tonal structures, and analytical methods.
- Musicianship training: Development of ear-training and sight-singing skills.
- Counterpoint and harmony foundations: Emphasis on teaching approaches for these essential musical concepts.
- Keyboard studies: Practical application to support theoretical understanding and demonstration.
- Aural skills: Fundamentals applicable to classroom instruction and music education.
- Pedagogy-focused learning: Strategies for lesson planning, assessment, and effective instructional methods.
For detailed module information and semester structure, please refer to the official program website.
Entry requirements
Academic requirements
- Applicants should possess a Bachelor’s degree in music.
- Prerequisite coursework includes 18 credit hours in undergraduate music theory, covering form & analysis and tonal counterpoint.
- A semester of orchestration is highly recommended.
- Teaching or tutoring experience in music is expected.
English requirements
- IELTS: IELTS scores are accepted; please check the official program page for specific score requirements.
Other requirements
- Applicants must be prepared to demonstrate readiness for graduate-level theory and musicianship study.
- Additional application materials may include transcripts, letters of recommendation, and a statement of purpose; please confirm with the official program page.
Career prospects
Graduates of the M.M. in Music Theory Pedagogy are well-prepared for a variety of teaching roles in educational institutions, music schools, and private tutoring. They can also pursue opportunities in curriculum development, music education policy, and continued research in music theory and pedagogy.