Stanford University

Overview

The PhD in Computer-Based Music Theory and Acoustics at Stanford University, offered through the Center for Computer Research in Music and Acoustics (CCRMA), is designed to cultivate researchers who examine sound and music through theoretical and computational lenses. This program encourages innovative scholarship at the intersection of music, signal processing, perception, and human-centered technologies.

What you'll study

Programme Structure

The doctoral training at CCRMA integrates graduate-level coursework, research seminars, and dissertation work. Students engage in required and elective classes that align with their research interests while actively participating in CCRMA academic activities.

Example coursework includes:

• CCRMA Colloquium
• Fundamentals of Computer-Generated Sound
• Psychophysics and Music Cognition
• Intermedia Workshop
• Music, Computing, Design I: Art of Design for Computer Music
• Audio Signal Processing Part I: Spectrum Analysis
• Audio Signal Processing Part II: Digital Filters

Research and dissertation

• Conduct dissertation research under faculty supervision, often crossing disciplines within CCRMA and partner departments.
• Participate in ongoing research through seminars, colloquia, and lab/community activities.
• Complete and defend a final dissertation in accordance with Stanford's graduate degree regulations.

Research areas commonly supported

• Music perception and cognition
• Audio and music-related signal processing
• Acoustics and computational analysis
• Human-computer interaction and interactive audio systems
• Synthesis and inter-media/computer music creation

Entry requirements

While specific GRE/GMAT and GPA minimums are not outlined, prospective applicants are encouraged to consult Stanford's official graduate admissions guidance for the most current entry requirements.

Career prospects

Graduates of this PhD program are well-equipped for diverse careers in academia, research, and technology sectors. They may pursue roles in music technology development, audio engineering, sound design, academic research, and teaching, contributing to advancements in the field of music and acoustics.